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The film’s belief in and commitment to the simplicity of its premise takes it a lot farther than it might otherwise go. It’s a leading role in the truest sense, because this is decidedly not a film that could work for any actor.
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Here he finds a protagonist in Lively’s Nancy who can measure the gravity and increasing severity of her situation with an exhausted, are you fucking kidding me? resignation that comes off as unintentionally funny at first, but emerges as a slyly in-on-it performance on the actress’ part. With his previous feature Orphan, Collet-Serra proved himself adept at teasing out the right sort of campy, exploitative notes within the lower-budget studio thriller. The Shallows is an effective B-movie thriller, and this is owed in no small part to Lively, who manages to deliver a woman-in-peril turn that’s equal parts magnetic and unexpectedly deadpan. The shark’s fin and silhouette are massive, and Collet-Serra mines the size disparity as frequently as possible, framing Lively as a very small speck in a very large ocean, one prowled by something she has no realistic chance against.Īnd yet, she finds it in her to fight back. But once Nancy is toppled from her board and forced onto a rock that’ll only be available until the high tide in the morning, the film morphs with surprising ease into a stranded-tourist thriller pitting an endlessly resourceful woman with a propensity for swimming into hazardous rocks against what appears to be one of the hyper-intelligent great whites from Deep Blue Sea. The early minutes of The Shallows suggest a slower-burning film, with the tension mounting and the faked jump scares arriving early and often.
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So she swims out, finds a mauled whale, and eventually collides head-on with a massive great white shark.
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Birds are swarming on something, just a little further from shore. But then it’s getting late, and Nancy decides to catch just one last wave. She surfs, she avoids the more irritable coral, she encounters some level of peace and unity with her world. (The film was shot in Australia, but takes place in Mexico.) For an afternoon, Nancy is in heaven. She’s a surfer, and seeks out a rare beach that her mother once told her about, to surf and forget her troubles for a while. Nancy ( Blake Lively) is stuck in the in-between in life, after a family tragedy saw her drop out of medical school and take to the adventures of the unknown. It’s the conundrum and/or gimmick of The Shallows, Jaume Collet-Serra’s bottle thriller in a wide-open space. But it’s a nightmare scenario in any case, knowing that everything you’ve ever known is just two football fields away and yet you’ve never been closer to death. It’s imaginable that the worst part of being trapped out in the ocean, just 200 yards away from shore as a shark is circling you, might be the relative closeness of safety.